Remembering China's 'Walt Disney'

Zhang Guangyu explored with continuous shooting by putting together dozens of his own photos. Taken in the 1930s, the images would be today's selfies. [Photo provided to China Daily]

Zhang gradually developed a unique style that was described by fellow artists as "Picasso plus Chenghuangmiao". Chenghuangmiao is the City God Temple in Shanghai considered a symbol of folk culture.

One can see the influence of Cubism in his work from the simple, neat lines, the abstract forms and bold composition. The rich palette and vivid contents of his work suggest that Zhang, far from abandoning his folk roots, like some artists of his time, embraced the essence of traditional art forms. His animation works exemplify his research into Chinese operas, folk tales, the Ming Dynasty woodcuts (1368-1644) and the Qing ones (1644-1911).

Li Dajun, an art collector who co-curates the exhibition, says: "He carved out a name for himself in painting, cinema, stage art, media, furniture and costume design. He loved trying crossover things. He was a master with a great vision."

He describes Zhang as the "Walt Disney of China".

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