In early August, the National Center for the Performing Arts pins down its program for the upcoming spring season that usually starts in early January.
On a bright sunny day before winter's chill arrived, two dogs and a cat are enjoying a siesta under the shade of an old peach tree with branches weighed down by fruit. The fragrant bouquet of soil, tomatoes, cucumbers and corn floats through the warm air from nearby farms.
This week, we demolished about 4 kilograms of baby pork ribs, two whole lamb legs and about another kg of chicken wings. To be fair, we had a lot of help to eat them, and it was over four meals through Christmas Eve, Christmas and Boxing Day.
It's hard to pinpoint yearzero for the rejuvenation of China's film industry, but 2013 will probably be remembered as the year the industry gained full confidence and changes happened faster than any prognostication. By the end of 2013, China's box-office total is expected to hit 21.5 billion yuan ($3.54 billion), 10 times the revenue of 2006. Last year's number already placed China as the second-largest cinema market in the world, next only to the United States. But only this year did the ratio of domestic releases rise well above the 50 percent demarcation, and without any palpable manipulations.
Switch: A heist film set in Dubai, Tokyo and Hangzhou, Zhejiang province, and crammed with unintentional kitsch.
The year 2013 will be remembered for the spectacular takeoff of China's film market, and it will also go down in history as the year bad movies ruled, or at least shared, the box office and public consciousness as often as, if not more frequently than, good ones. Here is the result of painstaking scavenging for something valuable from a big pile of cinematic fluff and trash.
This year, I published an English-language book, titled A PracticalGuide to Chinese Cinema 2002-2012 which is now available in the Kindle store, but it does no include two of the most dramatic episodes that happened to me as a film critic. They might have shaped film criticism in China, though.
A brain tumor nearly grounded a veteran fighter pilot forever but Shen Wenjie was determined to get back in the air, he tells Peng Yining in Yantai, Shandong province.
Without providing any qualifications or certificates, language schools in Lhasa have led many people struggling with literacy to new job opportunities.
Chinese television production is crying out for more original content, but industry forces discourage innovation. Han Bingbin finds out what's on the box.
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