The country's first underwater archaeological vessel is set to comb the nation's coastline in search of long-lost cultural relics. Wang Kaihao reports in Qingdao, Shandong province.
Yoshiko Otaka, who died on Sept 7, was one of the biggest Chinese stars when China was invaded by Japanese forces. There was a secret though: She was Japanese passing herself off as Chinese.
More than 30 young scholars in China visit the Ming Tombs and the Juyong Pass of the Great Wall to experience the unique Chinese lifestyle and landscape.
China's Central Television has not yet announced the general director for the 2015 Spring Festival Gala and insiders say preparation for the gala has not been launched.
The Labrang Monastery, a major Tibetan Buddhism monastery in Northwest China's Gansu province, is undergoing the largest renovation programme since its establishment in 1709.
One of China's most popular reality shows, Dad, Where Are We Going?, recently finished its three-day filming in New Zealand, making the country the only international destination featured in the show.
A pair of red and white silk scarves flutters proudly in the gentle breeze of Shanghai's early autumn above the facade of a former police station in what was once the French Concession.
It is time for filmmakers to take a serious look at streaming-enabled platforms. Video websites used to be a hotbed for pirated content. Video websites are turning into an alternative venue for mass viewing.
Photographs of Shanghai in the 1930s show a city where East and West met, danced and did business. Yu Ran chats to cultural critic Wu Liang about these images from a lost era.
After their trysts with gospel music, R&B, hip-hop and some Motown in parts of the world, American twins Preach and Danger Jackson are now happy to entertain China.
Since the Book Bucket Challenge - a thread that asks users to list 10 books that had the greatest impact on their lives - went viral on Facebook, the trend has swept on to China's Sina Weibo.
In its latest rulings on video websites, China's top media regulator has made it clear that overseas television programs will be restricted in both content and number. Can domestic producers fill the gap?
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