In the winter of 2008, visitors entering the Saatchi Gallery in London for the exhibition The Revolution Continues: New Art from China were immediately met with the installation Love It! Bite it! The incredibly detailed work by Beijing-born artist Liu Wei, was a precarious-looking mini metropolis of the West's most iconic buildings-the Guggenheim, the Colosseum, the US Capitol-and it was made entirely out of dog chews. These were, after all, the "tastiest bits" of Western culture.
When Shirley Temple visited China in April 1977, it did not cause a sensation. As a matter of fact, it went totally unheeded, with no media coverage or any personal account from the Chinese host.
Chinese superstar pianist Li Yundi has announced that his new album will be released on Feb 25 to coincide with the first concert on his European tour.
Caroline Channing was in town. Leonard Hofstadter debuted in the capital. Vampire Stefan Salvatore was in the spotlight in Shanghai.
For the migrant workers at all levels, the annual Spring Festival holidays offer the only chance each year to connect with family and friends back home, and to show off the results of 12 months' hard work.
Before Spring Festival arrived on the last day of January, the holiday season was looking rather bleak for China's film industry. Box-office intake for December suffered a 17-percent decline, from 2.55 billion yuan ($421 million) in 2012 to 2.14 billion in 2013, making it the first time in 12 years it failed to maintain its status as the strongest month in box-office revenue.
After a conspicuous and pride-busting absence from the three biggest European film festivals, Chinese movies staged a surprise comeback at the 64th Berlin International Film Festival, known as Berlinale, which runs from Feb 6 to 16. As many as three Chinese films have been selected for the 23-film-strong main competition, including No Man's Land, Ning Hao's dark take on humanity that took four long years to go through the censorship pipeline. The film, which opened on Dec 3, 2013, in China, was both a critical and commercial hit, raking in 260 million yuan at the box office.
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