CULTURE

CULTURE

Stone Age instrument meets modern rock

For the band Xian Ke, the process of creation is never-ending, as they explore new musical territories, Chen Nan reports.

By Chen Nan    |    China Daily    |     Updated: 2026-08-20 08:08

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Chinese band Xian Ke, featuring singer-songwriters Wang Pushi (left) and Wen Haoyuan (right), released their debut album All Things End, Yet Nothing Ends. [Photo provided to China Daily]

Everything ends. A song fades. A stage goes dark. The performers leave, the audience disperses, and eventually the room falls silent.

But for the Chinese band Xian Ke, silence is not the end.

The band's name comes from a line in The Book of Songs, a collection of hundreds of poems dating from the 11th to 6th centuries BC.

The line goes: Mibu youchu, xianke youzhong (Everything has a beginning, but few can see it through to the end).

The band's debut album, All Things End, Yet Nothing Ends, takes that ancient meditation on beginnings and endings and turns it into eight songs that build a world from rock, traditional Chinese opera, ancient instruments, and the restless desire to keep creating.

For Xian Ke, the two phrases are not simply literary references. They have become a way of thinking about what it means to make music, according to Wen Haoyuan, one half of the duo.

"Everything has an end," says Wen, who is also a scriptwriter. "But things themselves have no end. We are doing something that is limited for us, but we hope it can have an unlimited influence."

That tension — between endings and continuation, limits and possibilities — runs through the album.

All Things End, Yet Nothing Ends took more than three years to complete, beginning in 2021.

There were songs written, arranged, and recorded that ultimately did not make the cut. One track had reached around 80 percent of its arrangement and was already in production and recording before the band decided that something was still wrong.

"We spent many days and nights struggling with it," Wen recalls. "Just thinking about that song would make us feel bad."

Eventually, they abandoned it and wrote another song instead.

That process of choosing what to keep — and, perhaps more importantly, what to let go — became one of the most difficult and formative parts of making the record. By the time the album was complete, however, the uncertainty had given way to conviction.

"Everything that was released was something we were certain about," Wen says. "We are very satisfied with it."

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