Shows

Feeder First Live Tour at China 'Feeling A Moment 2018'

Date: Nov 23 - 8 pm

Venue: Tango Live, Beijing

Feeder is coming to China for the first time ever to celebrate their 21st anniversary. Formed in the 90s, their energetic and melodic music takes you on a journey, reminding you what it means to be human and alive. Come and share this once in a lifetime experience with one of Britain's great rock bands. Feeder is one of biggest rock bands from Wales in the UK. The lead singer Grant Nicholas is known for his unique ethereal voice giving the band their iconic sound. In 2003, Feeder became a widely known band in the UK, with their best-selling single "Just the Way I'm Feeling". They had several large-scale tours and made the album "Comfort in Sound" which sold 500,000 copies. Feeder has won six gold and platinum records in the UK alone. As of now, Feeder have sold over 5 million records worldwide. In July 2017, the band released the album "The Best of Feeder", which included all the previous singles of the band and an EP called "Arrow" on July 20, 2017.

Feathers of Fire: A Persian Epic

Date: Nov 11-16 - 7:30 pm

Venue: Shanghai Theatre Academy

Feathers of Fire: A Persian Epic is a visually breathtaking cinematic shadow play for all ages, created and directed by Hamid Rahmanian, a 2014 Guggenheim fellowship-winning filmmaker/visual artist. The play unfolds an action-packed magical tale of star-crossed lovers from the 10th-century Persian epic Shahnameh (The Book of Kings), - Zaul and Rudabeh, who triumph at the end against all odds. Rahmanian's graphics, derived from the visual tradition of the region, will be rendered as puppets, costumes, masks, scenography and digital animation, all of which will come to life in a "live animation" shadow casting technique perfected by shadow master Larry Reed on a cinema-size screen. The play also features an original score by the acclaimed musical team, Loga Ramin Torkian & Azam Ali.

Web Traffic 2.0

Date: Dec 14-16 - 7:30 pm

Venue: Shanghai International Dance Centre

Cut-in from the widely known female anchor, Web Traffic touches the economy of the live broadcast and its performance mechanism through a combination of dance theater, multimedia projection and live broadcast. In Web Traffic, female anchor Liu Xiaoliang and her team struggle in the industry chain of the live broadcast in shuffle period. She and her team seek for rules of the game and search for identity. Web Traffic also reveals that the audiences and the actors are wandering between reality and illusion in the process of acquiring a sense of belonging and self-realization in this particular subculture exchange ecology. In Web Traffic, female anchor Liu Xiaoliang acted by Jiang Fan, sometime plays silly live broadcast through the huge mobile phone screen hanging on the stage, sometimes shows the unknown living state of female anchors through exaggerated dancing, and sometimes tells her thoughts to the audience like a lonely girl. From another perspective, these scenes of virtual or real are art. The audiences would sit on the stage and closely interact with the actors.