LIFESTYLE / Trends

10 revealing scenes we didn't need to see
By Martha Brockenbrough
Updated: 2006-04-10 17:39

"Short Cuts" (1993)
Let's say you spilled something on your pants and the tag says DRY FLAT and so you don't want to chance ruining them in the dryer and besides, you're in an argument with your husband and you're not gonna give him the satisfaction of seeing you all damp and disheveled, so instead of drying them the prudent way you thought you'd just whip them off and blast them with a blow dryer.

I mean, who's gonna care if you're not wearing any underwear?

Though this 1993 film is a Robert Altman classic, based on short stories by the brilliant Raymond Carver, viewers unused to seeing angry people in billowing white blouses and no pants have perhaps forgotten anything else that happened in the movie, besides the fact that Julianne Moore appears to be a natural redhead.

Would it have been so hard for her to air-dry? Or wear panties?

On the other hand, maybe Altman should have just re-titled this, "Shorts, Cut."

"True Lies" (1994)
Jamie Lee Curtis is beautiful, hilarious and married to the wittiest man in Hollywood.

So I can only assume her pole-dancing bedroom scene in 1994's "True Lies" was meant as revenge on Arnold Schwarzenegger, who plays her on-screen spouse, for his unnecessary nudity in "The Terminator."

Though she's in fantastic shape and never takes it all off in this extended dance mix of a striptease, it's painful to watch. Like you'd walked in on your parents on one of their "special" Thursday nights.

And Schwarzenegger apparently agrees. His expression in the scene says one thing only: I'll never be back.

"About Schmidt" (2002)
To me, the idea of Jack Nicholson as a sympathetic character or charismatic leading man makes about as much sense as classifying the tomato as a fruit. Yeah, it grows on a vine and it's got its seeds on the inside. But it's a tomato. No way is that stuff nature's candy.

And Jack Nicholson is not dessert. He's dangerous -- to anyone with prudish sensibilities, that is. As evidence, I offer up 2002's "About Schmidt," where Nicholson plays a man who's lost everything and must find himself.

This is all well and good until he finds himself standing next to a hot tub full of Kathy Bates, whom I'll always remember as the queen of torture in "Misery."

In the scene, which to me is the new misery, Bates gets naked, and while many have commented on the size and buoyancy of her breasts, they are only somewhat larger than Nicholson's.

I know that all work and no play makes Jack a dull boy and all. But a workout? That might not be such a bad idea.



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