USEUROPEAFRICAASIA 中文双语Français
Travel
Home / Travel / My Footprints

Lu Xun: The writer who wrote in people’s language

By Jacob Pagano | chinadaily.com.cn | Updated: 2018-08-23 15:09
Lu Xun's "Native Place", where the writer is seen with a probing look and a cigarette with smoke trails swirl like the inscriptions of a pen.[Photo provided to chinadaily.com.cn]

Shaoxing,Zhejiang province, China

It might be said that the great writers of each generation have not only succeeded in evoking a place or people, but also found a distinctive, previously unheard voice through which to do so. From Dostoevsky to F. Scott Fitzgerald, the universally recognized writers of each nation have cultivated a style that is precisely their own, while seemingly representative of the national tenor.

Chinese essayist and translator Lu Xun (1881-1936), and a leading figure in the New Culture Movement of the 1920s and conversations on reform in China, surely sits amid that tradition of voice creators. His essays, including "Medicine” and ”Kongyij” and the various literary journals he helped edit and publish illuminated Chinese society through characters that everyone could recognize but no one had before seen on the page. Kong Yiji tells the story of an aging, ridiculed scholar who fails the xiucai examination and is mocked in the local bar, and implicitly criticizes the futility of an exam-based education system and human indifference. In "An Incident", we confront a passenger whose rickshaw collides with a pedestrian. The passenger must ask, "When do my social obligations to others begin?"

Lu Xun's style is defined by intricate symbolism and philosophical questions as they arose in quotidian life—“how should one act as a friend, a citizen, a partner”—which themselves are interwoven with often melancholic existential realities and historical commentary on China as it moved away from an imperial system and into years of reform and revolution.

These were facets of Lu Xun’s voice, but perhaps the most important was that he often wrote in vernacular Chinese. For centuries, literary writing was composed in the classical style, or wenyanwen, which followed a different syntactical structure from spoken speech and held myriad references to ancient tropes and stories, making it illegible for someone without formal training.

   `
1 2 3 Next   >>|
Most Popular
Top
BACK TO THE TOP
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US