Black pottery from Shandong's county unveils its distinctive charm
Liu Wenbin's black pottery crafting process and exhibition. [Video provided to chinadaily.com.cn]
In the annals of Chinese history, pottery stands as an unmistakably significant element. Among the greatest of history's treasures, black pottery shines brightest. Its ink-black hue, mirror-like brightness, paper-like thickness, and chime-like resonance render works both distinct and enchanting.
The black pottery from Xiajin county, Shandong province, boasts a unique distinction – its remarkable size. Liu Wenbin is a master inheritor of this technique. His creations, aptly named "Liu's Grand Vases", mostly stand three meters tall, a rarity acclaimed across the nation.
Liu relies on the indigenous red clay sourced from the banks of the Beijing-Hangzhou Grand Canal as the primary raw material for his black pottery. Initially filtered and then kneaded to enhance its durability, the clay undergoes meticulous hand-shaping and repeated polishing with seashells until achieving a mirror-like finish. Intricate patterns are meticulously carved by hand using custom tools, with additional adornments like rings and legs delicately installed. Following a month-long natural air drying process, the pieces are ready for firing.
The firing process for black pottery utilizes a carbonization technique without glazing. Once fired, the surface of the pottery reveals a lustrous black hue, appearing translucent and exuding a substantial weight. When gently tapped, it emits a distinct, bright resonance, adding an aura of splendor.
Liu's black pottery pieces are also popular abroad, exported to countries such as the United Kingdom, France, Germany, Japan and Australia. (Edited by Zhang Ying)




