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Updated: 2004-10-08 10:07
Controversial Austrian writer Elfriede Jelinek wins Nobel Literature Prize
当地时间10月7日下午13时(北京时间19时),瑞典皇家文学院宣布,奥地利女作家艾尔芙蕾德·耶利内克(Elfriede Jelinek)获得了2004年度诺贝尔文学奖。瑞典皇家科学院在颁奖公告中说,授予耶利内克诺贝尔文学奖的理由是“她的小说和剧本中表现出音乐的动感,她用超凡的语言显示了社会的荒谬以及它们使人屈服的奇异力量。”

Controversial Austrian writer Elfriede Jelinek wins Nobel Literature Prize
Austrian novelist and playwright Elfriede Jelinek is pictured in a May 1999 file photograph. Jelinek won the Nobel Prize for Literature October 7, 2004, the Swedish Academy said. She is the first woman to win the prestigious prize since 1996. (Reuters)

Acclaimed and controversial Austrian writer Elfriede Jelinek, whose work often explores the role of women in society, was awarded the 2004 Nobel Literature Prize, the Swedish Academy announced.

Jelinek, 57, only the 10th woman to win the Nobel Literature Prize, is the author of "The Piano Teacher", which was made into an acclaimed film by Michael Haneke in 2001.

Jelinek is the first Austrian to take the coveted award and will receive a prize sum of 10 million kronor (1.1 million euros, 1.3 million dollars).

She won the award "for her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's cliches and their subjugating power," the jury said.

Highly respected abroad for her literary exploration of gender issues, sexuality and violence in society, Jelinek is also controversial in her native Austria for her views on contemporary political issues, such as the Iraq war, anti-Semitism and xenophobia .

"Jelinek is a highly controversial figure in her homeland," and once even depicted Austria as "a realm of death" in a novel, the jury said.

In many of her works, including the semi-autobiographical "The Piano Teacher", Jelinek presents a pitiless world of violence and submission, hunter and prey.

The novel, and the subsequent film, graphically and explicitly explore voyeurism and masochism, and trace the self-destruction of the main protagonist, Erika Kohut, a piano teacher at the Vienna Conservatory.

Kohut, in her forties and suffering from a deeply disturbed relationship with her mother, trawls the seedy side of contemporary Vienna, until her existence is disturbed by a young male student who falls in love with her, and whose romantic ideas are challenged by her disturbed sexuality.

One of Jelinek's basic themes is the inability of women to "fully come to life in a world where they are painted over with stereotypical images", the Academy said in its citation.

In many novels, she depicts power and aggression as the driving forces of relationships and uses pornographic description of sexuality, aggression and abuse to underpin this point, like in the novel "Lust".

Speculation had been rife in Stockholm this year that women writers, long overlooked by the Swedish Academy which each year awards the Nobel Literature Prize, were well-placed to take home the honours this time.

The favourites included Algeria's Assia Djebar, Joyce Carol Oates of the United States and a Dane, Inger Christensen, but not Jelinek.

She will receive the Nobel Prize, which consists of the prize money, a gold medal and a diploma, from Sweden's King Carl XVI Gustaf at a formal ceremony in Stockholm on December 10, the anniversary of the death of Alfred Nobel, the founder of the Nobel Prizes, in 1896.

She said the prize was "surprising and a great honor," but added she might not travel to Stockholm for the award ceremony. "I cannot at this time deal with people," she said.

The Nobel committee said Jelinek was part of an Austrian tradition of "linguistically sophisticated social criticism", which includes Karl Kraus, Elias Canetti and Thomas Bernhard.

Austrian President Heinz Fischer said he "heartily" welcomed the news, and said the prize served as a "tribute to all Austrian literature."

But in an illustration of her conflictual relationship with her home country's establishment, Jelinek quipped that said she did not see the prize as "a feather in Austria's cap."

Jelinek retired from public life in 1996 after rightwing politicians from Joerg Haider's Freedom Party (FPOe) used her name in campaigns, denouncing her work as low and immoral art.

(Agencies)

Vocabulary:
 

xenophobia : an irrational fear of foreigners or strangers(仇外)

underpin : support from beneath(加强,巩固,支持)

 
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