The truth stays in the picture

By Madeleine Fitzpatrick | HK EDITION | Updated: 2022-12-02 13:22
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A demolished village on the outskirts of Hong Kong, from New Territories, Justin Hui's ongoing HKIPF satellite exhibition. (PHOTO PROVIDED TO CHINA DAILY)

The exhibition showcased works by 10 other photographers besides Lo and Man, several with filmmaking experience in the roles of art director, production designer or costume designer. Spanning five decades of moviemaking in Hong Kong, the show also provided a platform for young, up-and-coming still photographers.

Launched 12 years ago, the HKIPF is organized by the Hong Kong Photographic Culture Association, a body whose stated aim is "to foster the art and culture of photography", while engaging the local community. A Weekend Market in early November saw 18 local and four overseas organizations participate, while from late October to November, sharing sessions, discussions and workshops were held on topics ranging from zine creation to "image deconstruction and (re)interpretation" to filmmaking.

In 2018, the festival expanded to include satellite exhibitions across the city. Six local image makers took part in 2022, displaying their works at diverse venues including an art space in Sheung Wan, a 46-square-foot (4.3-square-meter) shop in Causeway Bay, a dilapidated mall in North Point, and bookstores in Sai Kung and Yau Ma Tei. A showcase of Justin Hui's exploration of demolished villages in the northeastern New Territories, and the juxtaposition of natural and urban scenery near the mainland boundary, is on at the last venue, rounding out this year's festival.

madeleine@chinadailyhk.com

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