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Osbourne Cox, a CIA agent, is summoned to the office of his superiors and sacked, apparently for having a drinking problem.
Import/Export is a bizarre, horrifying, challenging work, often brilliant and spectacular, often troubling and indeed objectionable.
Forget the fanboys and their comic-book movies, it's time to hail a long-neglected fan base-the mature women who kept "Mamma Mia!" on top in the international market.
Big laughs are to be had in this rip-roaring Hollywood satire, directed by Ben Stiller.
Perhaps, in part, because of the enormous popularity of Randy Pausch's Last Lecture, in which the 46-year-old college professor revealed that he was dying of cancer, there's a lot of talk these days about saying goodbye to loved ones.
The story opens at the turn of the 20th century and closes as Hitler prepares to start World War II.
Universal Pictures The Mummy: Tomb of the Dragon Emperor is proving to be a money winner on the Chinese mainland despite extensive criticism and controversy.
"Wipe us out, and see what's left" is Weisman's challenge. Based on interviews with evolutionary biologists and materials scientists, archaeologists and art conservators, this morbidly fascinating nonfiction eco-thriller depicts a world turning back into wilderness.
Heath Ledger's chilling portrayal of the Joker in Batman blockbuster "The Dark Knight" easily surpassed rivals to be named the summer's best movie villain in a poll released.
Face Addict is a self-regarding documentary in which its director, Swiss fashion photographer Edo Bertoglio returns to New York after an absence of 15 years to revisit fellow artists from the preening, self-indulgent crowd that surrounded Andy Warhol.
With his adaptation of a little-known 1957 literary melodrama by English writer Elizabeth Taylor, French director Francois Ozon joins an illustrious yet small band of his compatriots who have made films in Britain.
Terrence Howard gave a hint of his musical skills when he played an aspiring rapper in the 2005 film "Hustle & Flow."
Burn After Reading is a tightly wound spy comedy that couldn't be a bigger contrast to the Coen brothers' last film, the bloodsoaked and brooding No Country for Old Men.
Mariah Carey’s erratic behavior bar is set high.
