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As we learn from "My Life in Ruins," the Greek word for mojo — or zest for life — is "kefi." Nia Vardalos' character has lost hers and needs to get it back.
History will not repeat itself for Quentin Tarantino.
We have seen the future in "Terminator Salvation," and the future is noisy.
Blessedly, "Angels & Demons" is more entertaining and less self-serious than its predecessor, the dense and dreary yet enormously successful "The Da Vinci Code."
Reviewers at the Vatican's newspaper have passed judgment on "Angels & Demons," finding the religious thriller commercial and inaccurate, but concluding it is "harmless" entertainment and not a danger to the church.
Times are tough and getting tougher, and as the summer movie season's first half launches on Friday with "X-Men Origins: Wolverine," Hollywood is banking on escapist fare and fantasy flicks to cheer recession-weary audiences.
It's fundamental, cycle-of-life stuff that happens all day, every day, year-round, worldwide.
Are you aware that the suburbs aren't nearly as idyllic as they may appear?
In a recent "Saturday Night Live" comedy sketch, Zac Efron despaired that life was aimless beyond his "High School Musical" movies, but in real life the heartthrob is on a mission to transform his image.
"State of Play" looks like a provocative, '70s-style political thriller, and it's the murder of a young woman — a rising congressman's mistress — that drives the narrative.
"17 Again" is one of those movies that requires you to suspend all disbelief and assume that someone who looks like Zac Efron could, in 20 years, turn into someone who looks like Matthew Perry.
Hollywood's overflowing cash registers rang even louder on Sunday as the cartoon "Monsters vs. Aliens" scared up the biggest opening of the year at the North American box office.
"The Education of Charlie Banks" marks the surprisingly sensitive directing debut of Fred Durst, the lead singer of Limp Bizkit, whose hits include the oh-so-catchy "Break Stuff."
Mariah Carey’s erratic behavior bar is set high.
